Scott Stilson


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The distinction I’ve been seeking between the kind of amends the Father has declared no longer necessary by the cross of Christ and the kind of amends still required may be well captured by calling the former “symbolic” and the latter “proving.” Apologies, gifts, animal sacrifices, and Jesus’ cross are symbolic. That doesn’t mean symbolic amends aren’t necessary: It is impossible to prove repentance immediately. Hence, a token that’s symbolic of our repentance often must be extended in order to proceed, and hence, our impulse to make cultic sacrifices to God is a good instinct.

But God desires to skip such symbolic amends, which run too high a risk of masking an absence of true repentance, preferring instead to get straight to the heart of matters. He wants us to live lives characterized by earnest attempts at obedience to the law of love—amends that proving, not merely suggestive, of repentance.

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I am a punishment for gluttons. ✏️ 🎤 🎵

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The problem of divine hiddenness doesn’t bite as much when you consider that despite God’s hiddenness, over seventy percent of the world’s population is probably monotheistic, pluriform monotheistic, or henotheistic.

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“Pay close attention to yourself and to the teaching; persevere in these things, for as you do this you will save both yourself and those who hear you” (1 Timothy 4:16).

The only way this makes sense is if salvation is transformation by the renewing of your mind (and all that flows from that).

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“Law is laid down not for an upright person, but for…slave-dealers…“ (1 Timothy 1:9a,10b). How have I never seen this before? At least some followers of Christ have been opposed to slave trade since at least near the beginning?

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Line from “Citizens” currently striking me: “Everyone born is illegal when love is the law of the land.”

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A quatrain ahead of Mother’s Day:

Thoughtfulness requires thought.
It’s not a thing that can be brought.
So quit your feeling all distraught
And take a sec to think.

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Just finished reading: The Extinction of Experience: Being Human in a Disembodied World (2024) by Christine Rosen. Its main idea is that it’s inadvisable to allow the ascendance of smartphones and similarly attention-sucking entertainment and communication technologies to extinguish the non-mediated experiences they often replace, all of which have benefits. The threatened experiences she covers are:

This is one of those reads that’s preaching to the choir. But I’m in that choir, and I like it. It prepares me to make my case with evidence. Here are...

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Just listened to: a recording of Beethoven’s Coriolan Overture, Op. 62 (1807) by Klaus Tennstedt conducting the NDR Sinfonieorchester live on Profil on an album whose centerpiece is Symphony No. 3 in E flat major “Eroica” (1979/2017). Beethoven would’ve made an all-time great film composer.

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“I need either talked into or out of purchasing a drill press.“

— Sully, in a text to his mom

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There’s nothing I can write about Beethoven’s great works that’ll be any great addition to the conversation. I think I’ll just stop trying, sit, and continue listening slack-jawed.

But I will (of course) keep a list: Here’s everything I’ve enjoyed so far.

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Just listened to: a recording of Beethoven’s Piano Concerto No. 4 in G Major, Op. 58 (1806) by Stephen Hough on piano and Hannu Lintu conducting the Finnish Radio Symphony Orchestra on Hyperion (2020). No middle-movement mediocrity here. Good, clean, sparkling Beethoven all the way through. Delightfully wide tonal and dynamic range. Hough deserves his reputation as one of the greatest living pianists. The concerto deserves its reputation as one of the all-time great piano concertos. That Beethoven debuted it in a single 1808 concert alongside the debuts of Choral Fantasy and the Fifth and Sixth symphonies is incredible.

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Just watched: The Adventures of Prince Achmed (1926) by Lotte Reiniger. It’s the oldest surviving feature-length animated film. Come for the historical interest and the opportunity to behold an impressive, highly original silhouette animation technique. Stay for the surprising way, despite the poverty of the plot, that the shapes of these silhouettes and the herky-jerky yet magical way they move resonate with and reflect at some semi-conscious level the way you you live, move, and have your being.

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Carolina wren outside my office window definitely just got “The Dreidel Song” stuck in my head.

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Just listened to: a recording of Beethoven’s Concerto for Violin, Cello, and Piano in C major, Op. 56 “Triple Concerto” (1804) by David Zinman conducting the Tonhalle-Orchester Zürich on Arte Nova (2005). Just as bands with three regular lead vocalists have a leg up on bands with just one, concertos with three lead instruments have a leg up on concertos with just one. Simple, energetic, classical-mode Beethoven.

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I have a soft spot for bands featuring three or more regular lead vocalists:

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Just listened to: a recording of Beethoven’s Piano Sonata No. 21 in C Major, Op. 53 “Waldstein” (1804) on fortepiano by Ronald Brautigam on BIS (2008). Beethoven continues his habit of undernourishing his middle movements. But no matter: This is one of the man’s monumentally heroic sonatas, and it’s played here with dizzying snelheid on an instrument that, for its wider variations in timbre, I think I might prefer to modern piano.

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The threefold and fivefold) synopses are the only places where I articulate the entire breadth of my answer to the why and how of Jesus’ self-subjection to crucifixion. Someday, I’d like to expand that synopsis into a complete essay. For now, I’ve posted the threefold synopsis on Github, where I’ve added a shade of conditionality to the first liberation and where I continue to tinker.

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“I mean, you can’t just be a wimp and call yourself a pacifist.”

— Carla

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“What is the causal joint?” I asked God.
“You* are the causal joint,” He replied.

*plural

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Commemorative design celebrating College Township's 150th anniversary, featuring balloons, the years 1875-2025, and a central emblem.

Carla, a middle schooler, and I collaboratively created the above design for our local municipality. KB Offset printed it, and it now stands as an 8' × 4' banner posted along PA-26 outside the township administration building.

Here’s the municipal webpage on the subject of College Township’s sesquicentennial.

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Just re-read: The Epistle of James, and I am more convinced than ever of this: Donald Trump is an antichrist. (Please note the indefinite article.)

My God, please have mercy on all of us, including him, by relieving him of his power to do ill.

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“Mere faith alone is not sufficient for salvation…Yea, I confess…that mere faith does not deserve to be called faith, for a true faith can never exist without deeds of love” (Balthasar Hubmaier).

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Just finished reading: “The Nonviolent Atonement: Human violence, discipleship, and God” (2006) by J. Denny Weaver, which I summarize as follows: All previous accounts of the role of the Cross in how God brings us back to Himself, except for most Girardian explanations and the cosmic battle version of Christus Victor, implicate God as in some way needing violence to get the job done. Yet such a need stands in unacceptable tension with the consistently nonviolent life lived by Jesus, God’s perfect and authoritative image. Thus, we should to what I call “narrative Christus Victor,” by which I posit that neither the Father nor the Son in any way willed the Son to die, and that God brings us to Himself instead by vindicating Jesus’ way via the Resurrection. If we need forgiveness, we need only repent.

I disagree with Weaver about the Cross and don’t think his argument about it succeeds on his own terms: The Father is still “implicated” in the Son’s death if He knew that Jesus’ death was...

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A friend asked me how I thought The Parable of the Prodigal Son related to my insistence that forgiveness, rightly practiced, requires amends be made. I initially responded: “This is an excellent question. The Parable of Prodigal Son comes up a lot in discussions of God’s forgiveness, mostly among folks who insist God forgives without requiring anything. So I have some answers percolating.” Later, I replied by subjecting him to a 10-minute think-aloud voice message, which I then revised and summarized in writing as follows: “The Parable of the Prodigal Son demonstrates, among other things, that God is so keenly interested reconnecting with and embracing His people that mere but provably genuine repentance can count as amends. (God’s relative position of power, which the parable keeps in view but which should be noted is not a feature of every relationship, facilitates this mercy.) However, the story is not absent an amends more concrete: Besides your beautiful, literary observation...

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