Just listened to: URGH (2026) by Mandy, Indiana. A jarring, post-industrial noise-techno tour de force straight from the dance floor in the fifth circle of Hell, with punk déclameuse Valentine Caulfield incanting irony and defiance against “assault, systemic indifference, and the omnipresence of pain, while also insisting on moments of beauty and solidarity.” (Bonus points for skillful misappropriation of scripture to attack Putin in the opening track.)