Just listened to: a recording of Beethoven’s last three piano sonatas (1820–1822) by Penelope Crawford on Musica Omnia (2011) during a rainy walk through the neighborhood. A master of the fortepiano plays the final trilogy of a (by then deaf) master of piano composition. Together, they bless us with helpings of hymn-like lyricism, proto-jazz, and Debussy—the last two written eighty years ahead of schedule. (They also serve us some C Minor storminess. But with this guy, what else is new?)