Just re-listened to: Semper Femina (2017) by Laura Marling while on a foggy walk at dawn. I enjoy her stuff most when it’s paired with alternative tunings and/or uptempo drumming (especially hand drums). I hear little of that here, which, despite the Tom Waits feint opener, results in a more MOR offering, like some slightly fey (that might’ve been the fog), ivory female Amos Lee record. Not that I’m complaining.