Just listened to: Light for the Lost Boy (2012) by Andrew Peterson. Probably a keeper, but I’m not completely sure about that because I know I give a positive bump to Christian albums whose theology and ethics I find agreeable. Two things regarding this album are obvious, however: First, he found a new producer. It’s striking how different this album sounds from all the albums he put out before it. Every review of this album you’ll read rightly talks positively of its use of “atmosphere” and “space.” It makes me wonder: Is receptivity to child-of-Lanois audio production a fruit of the Spirit?
For my part, as much I share this affinity, I nevertheless usually regard such atmospherics as a pleasing way to mask poor songsmanship, a deed of the flesh that sometimes seems endemic to Christian music. In Peterson’s case, though, not to worry: The lyrics here are among his strongest, and that’s saying something. He continues examine and deploy his favorite motifs (youth, memory, geography, the sun, the weather, and fire) to express his Reformed Christian thoughts, this time throwing in multiple allusions to The Yearling and at least one to Peter Pan. And this time around, Peterson’s lyrical force is helped by it sounding like sometime between making the prior album and this one, he had a long, doubt-laden drive of his own like the one on which he accompanied me.