Scott Stilson


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Just listened to: A Sea Symphony, premiered by Ralph Vaughan Williams in 1910 and recorded in 2014 by Hallé—their orchestra and their two choirs—plus two other choirs—because how else do you evoke the vastness of the ocean and remind everyone this is how the 20th-century renaissance of English classical music began—than with four choirs? Subtle this is not. A bombastically English response to when the Frenchy-Japonesque La mer is not enough.

Not that this piece lacks quiet moments: You may have come for the giant “Behold, the sea itself!” that opens the first movement, but you’ll stay for the evocations of solitude on the beach in the second movement.