One of the main ways we cheat ourselves out of creating is the widely held belief that we need the right amount of time to make something of value—to make something worthwhile. We often resist a moment of inspiration because we’re aware of a limited time window that might interrupt the flow and therefore think, “It’s not even worth it to get started because I know I won’t be able to finish it.”
But all the time spent creating, if I’m in the right frame of mind, is not really so much about “Is this good or bad?” There’s just a lot of joy in it, in having created something at all. I don’t feel as bad about other things. I don’t necessarily feel high, or overly joyed. I just feel like, “Oh, I’m not wasting my time.”
On writing without thinking about what you’re writing about:
Creating something out of nothing is the important part. And maybe, like me, you’ll discover that you’re often better off learning how to write without much concern for what you’re writing about. And through that process, you’ll discover what is on your mind. “Jesus, Etc.” was never about anything specific to me until I sang it live for the first time and learned how sincerely it conveyed my wish for a better sense of unity with my extremely devout Christian neighbors. So do some free writing. Write without thinking. I’m sure there will be some things that will surprise you, along with some nonsense.
I do confess my having daydreamed today about fronting a U2 and Britpop cover band with college friends Aaron G., Jason, Aaron R., and Adam R., with Josh A. joining for acoustic numbers.
Ironically, and with apologies to Josh, it was late U2 (“Red Flag Day”) that first inspired the daydream. Also, friend of friend Chris F. was there, too, but I wasn’t sure how to fit in so many guitarists.
Finding Christian music I like is harder than finding non-Christian music I like because the lyrics matter more: You not only have to find music you like, you also have to find a theological bent you agree with. And you’re working with a smaller subset of the populations, so the pickings are slimmer.
For the second consecutive year, I’ve been referred to Chris Kiver by an outstanding member of the State College Choral Society to audition for the Orpheus Singers: Colleen emailed me today about it.
Other than the remarkable depth to which my telling her as an aside that I wasn’t going to sing with the Choral Society this season felt like a confession, the thing I found most remarkable about my emotional response to this message was how much it stirred up again my desires to be a specialist. To pick something, just one thing, and concentrate all my energies into mastering it. Choral singing, solo singing, pop singing, hootenannies, improving neighborhood walkability, improving neighborhood bikeability, building relationships in my neighborhood, front-end web development, sales, tweeting, music appreciation—the list of possibilities feels endless. However, nothing pulls my affections like singing, perhaps because it’s the one with which I have the longest history, the one for which I feel most guilty not having pursued.
But unless my soul changes, I need to consider the following: I want to do those other things. If I plunge into singing to the depth I feel like I want to, I will not be able to tweet, organize Houserville Social Club, engage civically, work on my house, listen through the classical repertoire, or any of the other activities I so enjoy. I would only be able to stand utter commitment to becoming a singer for so long before I’d bail in favor of my life as an enthusiastic generalist.
Singings lessons didn’t feel as good this week as they did last week. But I’m taking it in stride: As with Carla and local governance, I still have so much to learn about singing.
Scott: Éa, would you mind if I put on some tunes? Éa: Yeah. Scott [to clarify]: Should I put on some tunes? Éa: Yeah. Scott: Any objections anyone? Éa: Tunes! But don’t put on any objections!
“Well, I think he can get a pretty intense look on his face when he’s playing something like this, but I don’t think he ever looks like a pirate getting an enema.”
— Scott describing Carla’s imitation of Itzhak Perlman playing the finale of Erich Korngold’s Violin Concerto in D. (Go ahead. Picture it.)
