Scott Stilson


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Just listened to: The Goat Rodeo Sessions (2011) by Stuart Duncan, Yo-Yo Ma, Edgar Meyer & Chris Thile. A chamber-grass masterclass. 🎧 🎵

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If Spotify “DJ” interrupts my listening one more time, I will switch to Apple Music.

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“Orange Crush” (1988) sounds like R.E.M. had been listening to a lot of U2.

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I do confess my having daydreamed today about fronting a U2 and Britpop cover band with college friends Aaron G., Jason, Aaron R., and Adam R., with Josh A. joining for acoustic numbers.

Ironically, and with apologies to Josh, it was late U2 (“Red Flag Day”) that first inspired the daydream. Also, friend of friend Chris F. was there, too, but I wasn’t sure how to fit in so many guitarists.

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Scott: What needs to happen for a bill to become law?
Éa: Oh, I know! The bill needs to sing a song! 🎵

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Man, that piccolo really makes your biceps pop!

— Sullivan

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Oh, that? That’s just smooth jazz. Nothing to worry about.

— Sullivan, replying to an inquiry over his headset while playing Minecraft one night

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Even though my feet ache, I’m still gonna rock and shake!

— Éa, in the middle of a marathon of energetic dancing at Megan’s wedding

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I feel better dancing when I’m on a precarious rock wall.

— Sullivan, explaining why he was dancing all by himself on a rock wall outside the tent at Megan’s wedding

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My favorite thing is to make that piano reveberate [sic] like an explosive bāss violin.

— Sullivan, pronouncing “bass” like the fish, explaining what he loves about playing his new instrument

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For the second consecutive year, I’ve been referred to Chris Kiver by an outstanding member of the State College Choral Society to audition for the Orpheus Singers: Colleen emailed me today about it.

Other than the remarkable depth to which my telling her as an aside that I wasn’t going to sing with the Choral Society this season felt like a confession, the thing I found most remarkable about my emotional response to this message was how much it stirred up again my desires to be a specialist. To pick something, just one thing, and concentrate all my energies into mastering it. Choral singing, solo singing, pop singing, hootenannies, improving neighborhood walkability, improving neighborhood bikeability, building relationships in my neighborhood, front-end web development, sales, tweeting, music appreciation—the list of possibilities feels endless. However, nothing pulls my affections like singing, perhaps because it’s the one with which I have the longest history, the one for which I feel most guilty not having pursued.

But unless my soul changes, I need to consider the following: I want to do those other things. If I plunge into singing to the depth I feel like I want to, I will not be able to tweet, organize Houserville Social Club, engage civically, work on my house, listen through the classical repertoire, or any of the other activities I so enjoy. I would only be able to stand utter commitment to becoming a singer for so long before I’d bail in favor of my life as an enthusiastic generalist.

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With “40 (How Long),” U2 beat IHOPKC to harp & bowl by fifteen years.

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Acknowledge of mail order of ornamental alliums for Scott’s tenth wedding anniversary

I bought Carla some flowers today. Consider it an improvement on the one cut rose per year we’ve been married.

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Singings lessons didn’t feel as good this week as they did last week. But I’m taking it in stride: As with Carla and local governance, I still have so much to learn about singing.

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Mommy, I love music more than chocolate chips, more than cookies, and more than princesses and beautiful ponies.

— Éa on hearing Vanhal’s Double Bass Concerto in E flat major on WPSU in the car with Carla

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Scott: Éa, would you mind if I put on some tunes?
Éa: Yeah.
Scott [to clarify]: Should I put on some tunes?
Éa: Yeah.
Scott: Any objections anyone?
Éa: Tunes! But don’t put on any objections!

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I do confess that tears well up in my eyes as Alan Rickman introduces each of the instruments on this track.
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as recorded by Carla:

Scott put on one of our favorite classical pieces, The Lark Ascending, this evening. I introduced Éa to it by telling her, “This is The Lark Ascending by, um…Van Williams I think?”

Then, without a hesitation, I asked Sully, who was diligently working on a puzzle on the floor, “Sully, who wrote this piece? It’s The Lark Ascending by ____…”?

He took a moment, still concentrating on his oversized puzzle, and then replied in his classic matter-of-fact manner, “Hmmm…Boathoven.”

He was wrong, but it was cute as heck… 🎵

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Sorry! I got into my whistling.

— Scott, as we swerve off and back onto the road