After this He then says to the disciples, “Let us go into Judaea again.” The disciples say, “Rabbi, the Judaeans were lately seeking to stone you, and you are going there again?” Jesus answered, “Are there not twelve hours in the day? If one walks by day, he will not stumble, because he sees the light of this cosmos, But if one walks by night, he stumbles, because the light is not in him” (John 11:7-10).
If love is calling, damn the fear of death. Full speed ahead. Do what is right.
Walking and talking with You yesterday afternoon up to West Falls reminded me of two things:
I feel most alive when I am expressing myself with intensity, and
it would be best if I arranged my prayer-walk time to allow for freedom to pray expressively, intently, fervently.
*Correction, 7:19 PM same day: I feel most alive when I am expressing myself with intensity because of love. The point is not the intensity but rather the love—the purposeful regarding of others as at least as important as myself and wanting their good—that sets off the intensity. When I am praying fervently because I have set my face toward love, I feel very alive. And I think it’s the kind of praying that leads to action.
I think we’d all be saner if we opted for an eight-day week: Five days for professional working, one day for rest and relaxation, one day for household maintenance and administration, and one day for working toward larger, non-professional goals. (Hopefully all days for socializing of various kinds.) The Romans used to do it. And the seven-day week, its salient place in the Genesis creation story, has no observable basis in the created order, although it is probably based on an old, inaccurate understanding of that: At least two ancient civilizations, Sumeria and Babylonia, explicitly based their seven-day week on how many planet they thought there were—Mercury, Venus, Earth, Mars, Jupiter, Saturn—plus the sun and the moon. So why keep it, other than cultural inertia?
I suppose I have to figure out how to dovetail an eight-day week with a 365-plus-day year with a proposal for year. (Ten four-week months plus a five-week month plus a five-day party?) And of course, if we can’t even muster the political will to eliminate the Daylight Savings Time switch…
Just listened to: a recording of Messiaen’s L’Ascension (1933) by Paavo Järvi conducting Tonhalle-Orchester Zürich on Alpha Classics (2019) while on a short sunset walk. Because sometimes you wanna go beyond la frontière Debussy. A devout, twenty-something, 20th-century French organist composes a short, innovative, delicious four-course symphonic prix fixe from a mathematically constrained but phenomenally boundless (thus predictably unpredictable) harmonic palette, neither tonal nor dodecaphonic. And a world-class, Grammy-winning Estonian conductor and his first-rate Zürcher waitstaff serve it with all the attention and grace you expect at a Michelin-starred restaurant.
“Why does my heart feel so bad? Why does my soul feed so bad?” All year, You’ve had the strangle moral imperative to joy buzzing around my ears. It could be that I’m putting too much stock in a single command of Paul’s. But with:
“get to” being the word of the year,
Travis having made such an impression on me with the primacy he assigns to joy, and
all the specific words that have come to me on the subject this year,
it has been hard to avoid. And more than ever, the role of joy as an anchor for the words I say to others remaining words of life and not words of death has become apparent. I may not need to dig the well of self-love in order to love others, as so many folks extrabiblically claim, but I do apparently need to dig the well of joy: I have spoken brusquely again and again in recent weeks—this despite all the recent emphasis I have placed in my mind on letting “all my words be full of grace.” Why? Because it’s “out of the overflow of the heart” that “the mouth speaks.” If I...
I’m not sure I enjoy any sociospatial context more than free-spirited, small-group conversation at a table at Webster’s Bookstore Café, surrounded by the sight and smell of used books, the taste of good tea, and the sound of vintage hipster music that isn’t even trying to be cool. (I just wish they stayed open past 7 PM!)
Just watched In the Mood for Love (2000), written and directed by Wong Kar-wai. An exquisite Hong Kong pas de deux and series of color-coded pseudo tableaux vivants depicting the sad, halting victory of moral vanity over smoldering desire.
I deal with interruptions and pop-up requests at work much more gracefully than I do at home. I haven’t yet internalized and automatized “doing everything without grumbling or arguing” (Philippians 2:14). This despite the facilitation that my realizing that the Prime Desire is always fulfillable should bring. I must be missing a piece at home, something I have at work but don’t have at home. What is it?
At work, I’m glad when work piles up. At home, that stresses me out. At work, when someone approaches me about something they want done, I smile and sometimes even thank them for the cool thing to work on. (Naturally, this is not true when the thing they’re approaching me about is something I built that has broken.) But when someone approaches me about something they want done at home, I grumble and resent.
What are the contextual differences that might account for the differences in my response?
Sometimes my life—my whole life—feels like a driveway on a continually and very snowy day: As soon I’ve shoveled one side of it clear, enough fresh snow has fallen on the other side to prevent me from ever getting out.
“Rejoice always, pray without ceasing, in everything give thanks; for this is the will of God for you in Christ Jesus” (1 Thessalonians 5:16-18). There’s a synergy between these three commands. It’s easier to rejoice when you’re praying continually and giving thanks in everything; it’s easier to pray continually when you’re rejoicing always and giving thanks in everything (after all, to whom are we to give thanks for things like existence?); it’s easier to give thanks in everything when you’re rejoicing always and praying continually.
But all these require that you be here now and do what you’re doing, thinking not of other things.
Just listened to: a recording of Beethoven’s last three piano sonatas (1820–1822) by Penelope Crawford on Musica Omnia (2011) during a rainy walk through the neighborhood. A master of the fortepiano plays the final trilogy of a (by then deaf) master of piano composition. Together, they bless us with helpings of hymn-like lyricism, proto-jazz, and Debussy—the last two written eighty years ahead of schedule. (They also serve us some C Minor storminess. But with this guy, what else is new?)
“I would have to learn to live in a different way, seeing death as an imposing itinerant visitor but knowing that even if I’m dying, until I actually die, I am still living” (Paul Kalanithi, When Breath Becomes Air, emphasis mine). I want to carry this thought with me all the time as I age; it teaches me how to relate to others, all of whom will die someday, and how to relate to myself, who will also die someday.
Just listened to Kings Kaleidoscope (2023) by Kings Kaleidoscope. Therapeutically upbeat chamber beatbox pop that sits just on this side of my K-LOVE hate line (thanks to its offering some musical adventuresomeness alongside its therapeutics).
In my current experience of the English language, “Why?” is increasingly used exclusively as a prefix for lament, dispute, or displeasure rather than as the start of a question born of humble curiosity.